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She was ill for a long time and it created a huge amount of upheaval since, being freelance and unable to work consistently due to family commitments, there were financial difficulties to contend with, and ultimately most of the specialist cinema gear had to go to pay the bills. Having worked across all genres from documentaries, drama, music videos and corporate, Cassius suddenly had his world turned upside down in 2014 when his youngest daughter had to have open heart surgery. His first freelance job was working for UNOPS (UN), overseas camera operating for documentaries, and his first film as a director was ‘Junk,’ which was shot in 1997 on super 16mm film and went on to be named ‘Best Independent Film’ at the Portobello Film Festival. If you missed attending live then the good news is that it’s archived on the CVP website, and you can go and catch up with it using the link provided in this feature.Ĭassius’ background was conventional enough, and he started in the 90s as a trainee camera assistant and then worked his way up to become a camera operator and then a director.
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One of those who has very much seen and grasped the opportunity offered by smartphone technology is professional filmmaker Cassius Rayner, who has just delivered a hugely informative Sennheisersponsored workshop all about the potential of mobile filmmaking as part of CVP’s excellent Common Room series. In other words they can deliver images and footage that might be beyond the scope of conventional cameras and, as such, they should be of huge interest to the professional who might be looking at an alternative way of working. However, what they can offer is incredible versatility, a compact format that can be taken virtually anywhere, built-in connectivity and a surprisingly high-quality of output. In no way, shape or form designed to be a straight replacement for a professional still or filmmaking camera. To ask that question is, perhaps, to not quite have a handle on what a smartphone can bring to the party these days. Take smartphones, for example: what are we doing talking about this kind of technology in a magazine that’s ostensibly aimed at working professionals, who one would most likely imagine would be packing their kit bags with a selection of top-end, high-spec professional cameras? WHEN NEW TECHNOLOGY IS so startlingly different it can take a while for the industry to catch up with the possibilities.